UTF-8 Listen mit den Unicode- und HTML-Zeichen in Tabellenform, vgl. utf8-zeichentabelle.de, unicode-table.com.
1: Text | 2: Symbol | 3: Asien | 4: Asien | 5: Asien | 6: Yi, Vai | 7: Hangul | 8: Privat | 9: Ägäisch | 10: Keil | 11: Anatol | 12: Bamum | 13: Tangut | 14: Kana | 15: Symbol | 16: Picto | 17: CJK | 18: CJK | 19: CJK | 20: CJK | 21: CJK | 22: CJK | 23: CJK | 24: CJK | 25 | 26 | 113: Tags | Details.
Nr 177 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
177.2 |
Nr 178 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
178.2 |
Nr 179 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
179.2 |
Nr 180 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
180.2 |
Nr 181 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
16800 | 𖠀 | 𖠁 | 𖠂 | 𖠃 | 𖠄 | 𖠅 | 𖠆 | 𖠇 | 𖠈 | 𖠉 | 𖠊 | 𖠋 | 𖠌 | 𖠍 | 𖠎 | 𖠏 | 𖠐 | 𖠑 | 𖠒 | 𖠓 | 𖠔 | 𖠕 | 𖠖 | 𖠗 | 𖠘 | 𖠙 | 𖠚 | 𖠛 | 𖠜 | 𖠝 | 𖠞 | 𖠟 |
16820 | 𖠠 | 𖠡 | 𖠢 | 𖠣 | 𖠤 | 𖠥 | 𖠦 | 𖠧 | 𖠨 | 𖠩 | 𖠪 | 𖠫 | 𖠬 | 𖠭 | 𖠮 | 𖠯 | 𖠰 | 𖠱 | 𖠲 | 𖠳 | 𖠴 | 𖠵 | 𖠶 | 𖠷 | 𖠸 | 𖠹 | 𖠺 | 𖠻 | 𖠼 | 𖠽 | 𖠾 | 𖠿 |
16840 | 𖡀 | 𖡁 | 𖡂 | 𖡃 | 𖡄 | 𖡅 | 𖡆 | 𖡇 | 𖡈 | 𖡉 | 𖡊 | 𖡋 | 𖡌 | 𖡍 | 𖡎 | 𖡏 | 𖡐 | 𖡑 | 𖡒 | 𖡓 | 𖡔 | 𖡕 | 𖡖 | 𖡗 | 𖡘 | 𖡙 | 𖡚 | 𖡛 | 𖡜 | 𖡝 | 𖡞 | 𖡟 |
16860 | 𖡠 | 𖡡 | 𖡢 | 𖡣 | 𖡤 | 𖡥 | 𖡦 | 𖡧 | 𖡨 | 𖡩 | 𖡪 | 𖡫 | 𖡬 | 𖡭 | 𖡮 | 𖡯 | 𖡰 | 𖡱 | 𖡲 | 𖡳 | 𖡴 | 𖡵 | 𖡶 | 𖡷 | 𖡸 | 𖡹 | 𖡺 | 𖡻 | 𖡼 | 𖡽 | 𖡾 | 𖡿 |
16880 | 𖢀 | 𖢁 | 𖢂 | 𖢃 | 𖢄 | 𖢅 | 𖢆 | 𖢇 | 𖢈 | 𖢉 | 𖢊 | 𖢋 | 𖢌 | 𖢍 | 𖢎 | 𖢏 | 𖢐 | 𖢑 | 𖢒 | 𖢓 | 𖢔 | 𖢕 | 𖢖 | 𖢗 | 𖢘 | 𖢙 | 𖢚 | 𖢛 | 𖢜 | 𖢝 | 𖢞 | 𖢟 |
168A0 | 𖢠 | 𖢡 | 𖢢 | 𖢣 | 𖢤 | 𖢥 | 𖢦 | 𖢧 | 𖢨 | 𖢩 | 𖢪 | 𖢫 | 𖢬 | 𖢭 | 𖢮 | 𖢯 | 𖢰 | 𖢱 | 𖢲 | 𖢳 | 𖢴 | 𖢵 | 𖢶 | 𖢷 | 𖢸 | 𖢹 | 𖢺 | 𖢻 | 𖢼 | 𖢽 | 𖢾 | 𖢿 |
168C0 | 𖣀 | 𖣁 | 𖣂 | 𖣃 | 𖣄 | 𖣅 | 𖣆 | 𖣇 | 𖣈 | 𖣉 | 𖣊 | 𖣋 | 𖣌 | 𖣍 | 𖣎 | 𖣏 | 𖣐 | 𖣑 | 𖣒 | 𖣓 | 𖣔 | 𖣕 | 𖣖 | 𖣗 | 𖣘 | 𖣙 | 𖣚 | 𖣛 | 𖣜 | 𖣝 | 𖣞 | 𖣟 |
168E0 | 𖣠 | 𖣡 | 𖣢 | 𖣣 | 𖣤 | 𖣥 | 𖣦 | 𖣧 | 𖣨 | 𖣩 | 𖣪 | 𖣫 | 𖣬 | 𖣭 | 𖣮 | 𖣯 | 𖣰 | 𖣱 | 𖣲 | 𖣳 | 𖣴 | 𖣵 | 𖣶 | 𖣷 | 𖣸 | 𖣹 | 𖣺 | 𖣻 | 𖣼 | 𖣽 | 𖣾 | 𖣿 |
181.2 | ||||||||||||||||||||||||||||||||
16900 | 𖤀 | 𖤁 | 𖤂 | 𖤃 | 𖤄 | 𖤅 | 𖤆 | 𖤇 | 𖤈 | 𖤉 | 𖤊 | 𖤋 | 𖤌 | 𖤍 | 𖤎 | 𖤏 | 𖤐 | 𖤑 | 𖤒 | 𖤓 | 𖤔 | 𖤕 | 𖤖 | 𖤗 | 𖤘 | 𖤙 | 𖤚 | 𖤛 | 𖤜 | 𖤝 | 𖤞 | 𖤟 |
16920 | 𖤠 | 𖤡 | 𖤢 | 𖤣 | 𖤤 | 𖤥 | 𖤦 | 𖤧 | 𖤨 | 𖤩 | 𖤪 | 𖤫 | 𖤬 | 𖤭 | 𖤮 | 𖤯 | 𖤰 | 𖤱 | 𖤲 | 𖤳 | 𖤴 | 𖤵 | 𖤶 | 𖤷 | 𖤸 | 𖤹 | 𖤺 | 𖤻 | 𖤼 | 𖤽 | 𖤾 | 𖤿 |
16940 | 𖥀 | 𖥁 | 𖥂 | 𖥃 | 𖥄 | 𖥅 | 𖥆 | 𖥇 | 𖥈 | 𖥉 | 𖥊 | 𖥋 | 𖥌 | 𖥍 | 𖥎 | 𖥏 | 𖥐 | 𖥑 | 𖥒 | 𖥓 | 𖥔 | 𖥕 | 𖥖 | 𖥗 | 𖥘 | 𖥙 | 𖥚 | 𖥛 | 𖥜 | 𖥝 | 𖥞 | 𖥟 |
16960 | 𖥠 | 𖥡 | 𖥢 | 𖥣 | 𖥤 | 𖥥 | 𖥦 | 𖥧 | 𖥨 | 𖥩 | 𖥪 | 𖥫 | 𖥬 | 𖥭 | 𖥮 | 𖥯 | 𖥰 | 𖥱 | 𖥲 | 𖥳 | 𖥴 | 𖥵 | 𖥶 | 𖥷 | 𖥸 | 𖥹 | 𖥺 | 𖥻 | 𖥼 | 𖥽 | 𖥾 | 𖥿 |
16980 | 𖦀 | 𖦁 | 𖦂 | 𖦃 | 𖦄 | 𖦅 | 𖦆 | 𖦇 | 𖦈 | 𖦉 | 𖦊 | 𖦋 | 𖦌 | 𖦍 | 𖦎 | 𖦏 | 𖦐 | 𖦑 | 𖦒 | 𖦓 | 𖦔 | 𖦕 | 𖦖 | 𖦗 | 𖦘 | 𖦙 | 𖦚 | 𖦛 | 𖦜 | 𖦝 | 𖦞 | 𖦟 |
169A0 | 𖦠 | 𖦡 | 𖦢 | 𖦣 | 𖦤 | 𖦥 | 𖦦 | 𖦧 | 𖦨 | 𖦩 | 𖦪 | 𖦫 | 𖦬 | 𖦭 | 𖦮 | 𖦯 | 𖦰 | 𖦱 | 𖦲 | 𖦳 | 𖦴 | 𖦵 | 𖦶 | 𖦷 | 𖦸 | 𖦹 | 𖦺 | 𖦻 | 𖦼 | 𖦽 | 𖦾 | 𖦿 |
169C0 | 𖧀 | 𖧁 | 𖧂 | 𖧃 | 𖧄 | 𖧅 | 𖧆 | 𖧇 | 𖧈 | 𖧉 | 𖧊 | 𖧋 | 𖧌 | 𖧍 | 𖧎 | 𖧏 | 𖧐 | 𖧑 | 𖧒 | 𖧓 | 𖧔 | 𖧕 | 𖧖 | 𖧗 | 𖧘 | 𖧙 | 𖧚 | 𖧛 | 𖧜 | 𖧝 | 𖧞 | 𖧟 |
169E0 | 𖧠 | 𖧡 | 𖧢 | 𖧣 | 𖧤 | 𖧥 | 𖧦 | 𖧧 | 𖧨 | 𖧩 | 𖧪 | 𖧫 | 𖧬 | 𖧭 | 𖧮 | 𖧯 | 𖧰 | 𖧱 | 𖧲 | 𖧳 | 𖧴 | 𖧵 | 𖧶 | 𖧷 | 𖧸 | 𖧹 | 𖧺 | 𖧻 | 𖧼 | 𖧽 | 𖧾 | 𖧿 |
U+16800 Bamum Supplement (, 576 codes from 16800–16A3F. Language in ): Bamum Supplement is a Unicode block containing the characters of the historic stage A-F of the Bamum script, used for writing the Bamum language of western Cameroon. The modern stage G characters, which include many characters used for stage A-F orthographies, are included in the Bamum block.
Nr 182 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
16A00 | 𖨀 | 𖨁 | 𖨂 | 𖨃 | 𖨄 | 𖨅 | 𖨆 | 𖨇 | 𖨈 | 𖨉 | 𖨊 | 𖨋 | 𖨌 | 𖨍 | 𖨎 | 𖨏 | 𖨐 | 𖨑 | 𖨒 | 𖨓 | 𖨔 | 𖨕 | 𖨖 | 𖨗 | 𖨘 | 𖨙 | 𖨚 | 𖨛 | 𖨜 | 𖨝 | 𖨞 | 𖨟 |
16A20 | 𖨠 | 𖨡 | 𖨢 | 𖨣 | 𖨤 | 𖨥 | 𖨦 | 𖨧 | 𖨨 | 𖨩 | 𖨪 | 𖨫 | 𖨬 | 𖨭 | 𖨮 | 𖨯 | 𖨰 | 𖨱 | 𖨲 | 𖨳 | 𖨴 | 𖨵 | 𖨶 | 𖨷 | 𖨸 | | | | | | | |
16A40 | 𖩀 | 𖩁 | 𖩂 | 𖩃 | 𖩄 | 𖩅 | 𖩆 | 𖩇 | 𖩈 | 𖩉 | 𖩊 | 𖩋 | 𖩌 | 𖩍 | 𖩎 | 𖩏 | 𖩐 | 𖩑 | 𖩒 | 𖩓 | 𖩔 | 𖩕 | 𖩖 | 𖩗 | 𖩘 | 𖩙 | 𖩚 | 𖩛 | 𖩜 | 𖩝 | 𖩞 | |
16A60 | 𖩠 | 𖩡 | 𖩢 | 𖩣 | 𖩤 | 𖩥 | 𖩦 | 𖩧 | 𖩨 | 𖩩 | | | | | 𖩮 | 𖩯 | 𖩰 | 𖩱 | 𖩲 | 𖩳 | 𖩴 | 𖩵 | 𖩶 | 𖩷 | 𖩸 | 𖩹 | 𖩺 | 𖩻 | 𖩼 | 𖩽 | 𖩾 | 𖩿 |
16A80 | 𖪀 | 𖪁 | 𖪂 | 𖪃 | 𖪄 | 𖪅 | 𖪆 | 𖪇 | 𖪈 | 𖪉 | 𖪊 | 𖪋 | 𖪌 | 𖪍 | 𖪎 | 𖪏 | 𖪐 | 𖪑 | 𖪒 | 𖪓 | 𖪔 | 𖪕 | 𖪖 | 𖪗 | 𖪘 | 𖪙 | 𖪚 | 𖪛 | 𖪜 | 𖪝 | 𖪞 | 𖪟 |
16AA0 | 𖪠 | 𖪡 | 𖪢 | 𖪣 | 𖪤 | 𖪥 | 𖪦 | 𖪧 | 𖪨 | 𖪩 | 𖪪 | 𖪫 | 𖪬 | 𖪭 | 𖪮 | 𖪯 | 𖪰 | 𖪱 | 𖪲 | 𖪳 | 𖪴 | 𖪵 | 𖪶 | 𖪷 | 𖪸 | 𖪹 | 𖪺 | 𖪻 | 𖪼 | 𖪽 | 𖪾 | |
16AC0 | 𖫀 | 𖫁 | 𖫂 | 𖫃 | 𖫄 | 𖫅 | 𖫆 | 𖫇 | 𖫈 | 𖫉 | | | | | | | 𖫐 | 𖫑 | 𖫒 | 𖫓 | 𖫔 | 𖫕 | 𖫖 | 𖫗 | 𖫘 | 𖫙 | 𖫚 | 𖫛 | 𖫜 | 𖫝 | 𖫞 | 𖫟 |
16AE0 | 𖫠 | 𖫡 | 𖫢 | 𖫣 | 𖫤 | 𖫥 | 𖫦 | 𖫧 | 𖫨 | 𖫩 | 𖫪 | 𖫫 | 𖫬 | 𖫭 | | | 𖫰 | 𖫱 | 𖫲 | 𖫳 | 𖫴 | 𖫵 | | | | | | | | | | |
182.2 | ||||||||||||||||||||||||||||||||
16B00 | 𖬀 | 𖬁 | 𖬂 | 𖬃 | 𖬄 | 𖬅 | 𖬆 | 𖬇 | 𖬈 | 𖬉 | 𖬊 | 𖬋 | 𖬌 | 𖬍 | 𖬎 | 𖬏 | 𖬐 | 𖬑 | 𖬒 | 𖬓 | 𖬔 | 𖬕 | 𖬖 | 𖬗 | 𖬘 | 𖬙 | 𖬚 | 𖬛 | 𖬜 | 𖬝 | 𖬞 | 𖬟 |
16B20 | 𖬠 | 𖬡 | 𖬢 | 𖬣 | 𖬤 | 𖬥 | 𖬦 | 𖬧 | 𖬨 | 𖬩 | 𖬪 | 𖬫 | 𖬬 | 𖬭 | 𖬮 | 𖬯 | 𖬰 | 𖬱 | 𖬲 | 𖬳 | 𖬴 | 𖬵 | 𖬶 | 𖬷 | 𖬸 | 𖬹 | 𖬺 | 𖬻 | 𖬼 | 𖬽 | 𖬾 | 𖬿 |
16B40 | 𖭀 | 𖭁 | 𖭂 | 𖭃 | 𖭄 | 𖭅 | | | | | | | | | | | 𖭐 | 𖭑 | 𖭒 | 𖭓 | 𖭔 | 𖭕 | 𖭖 | 𖭗 | 𖭘 | 𖭙 | | 𖭛 | 𖭜 | 𖭝 | 𖭞 | 𖭟 |
16B60 | 𖭠 | 𖭡 | | 𖭣 | 𖭤 | 𖭥 | 𖭦 | 𖭧 | 𖭨 | 𖭩 | 𖭪 | 𖭫 | 𖭬 | 𖭭 | 𖭮 | 𖭯 | 𖭰 | 𖭱 | 𖭲 | 𖭳 | 𖭴 | 𖭵 | 𖭶 | 𖭷 | | | | | | 𖭽 | 𖭾 | 𖭿 |
16B80 | 𖮀 | 𖮁 | 𖮂 | 𖮃 | 𖮄 | 𖮅 | 𖮆 | 𖮇 | 𖮈 | 𖮉 | 𖮊 | 𖮋 | 𖮌 | 𖮍 | 𖮎 | 𖮏 | | | | | | | | | | | | | | | | |
16BA0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16BC0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16BE0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
U+16A00 Bamum Supplement (, 576 codes from 16800–16A3F. Language in ): Bamum Supplement is a Unicode block containing the characters of the historic stage A-F of the Bamum script, used for writing the Bamum language of western Cameroon. The modern stage G characters, which include many characters used for stage A-F orthographies, are included in the Bamum block.
U+16A40 Mro (, 48 codes from 16A40–16A6F. Language in ): They primarily speak the Mru language, a Tibeto-Burman language, and one of the recognized languages of Bangladesh. The Mru language is considered “definitely endangered” by UNESCO in June 2010. The language of the Mro can be classified under Sino-Tibetan or Tibeto-Burman linguistic group. Dialects include Anok, Downpreng and Sungma. It has 13% lexical similarity with Khami and 72%-76% with Anu-Hkongsu. In Bangladesh, around 91% — 98% of the population speaks Downpreng and Sungma dialects. Both Latin and Mru alphabets, formed in 1980s, are used in writing even though the latter is more commonly used for the literacy development. It is also categorized as a developing language.
U+16A70 Tangsa (, . Language in ):
U+16AD0 Bassa Vah (, 48 codes from 16AD0–16AFF. Language in ): The Bassa script, known as Bassa vah or simply vah (´throwing a sign´ in Bassa) was an alphabet designed by, or with the help of, Liberian missionaries in the 1920s. It is not clear what connection it may have had with neighboring scripts, or how much it was actually used, but type was cast for it, and an association for its promotion was formed in Liberia in 1959. It is not used and has been classified as a failed script.Vah is a true alphabet, with 23 consonant letters, 7 vowel letters, and 5 tone diacritics, which are placed inside the vowels.
U+16B00 Pahawh Hmong (, 144 codes from 16B00–16B8F. Language in ): Pahawh Hmong (RPA: Phajhauj Hmoob , known also as Ntawv Pahawh, Ntawv Keeb, Ntawv Caub Fab, Ntawv Soob Lwj) is an indigenous semi-syllabic script, invented in 1959 by Shong Lue Yang, to write two Hmong languages, Hmong Daw (Hmoob Dawb White Miao) and Hmong Njua AKA Hmong Leng (Moob Leeg Green Miao).Hmong (RPA: Hmoob) or Mong (RPA: Moob), known as First Vernacular Chuanqiandian Miao in China (Chinese: 川黔滇苗语第一土语; pinyin: Chuānqiándiān miáo yǔ dì yī tǔyǔ), is a dialect continuum of the West Hmongic branch of the Hmongic languages, sometimes known as the Chuanqiandian Cluster, which is spoken by the Hmong people of Sichuan, Yunnan, Guizhou, Guangxi, northern Vietnam, Thailand, and Laos. There are some 2.7 million speakers of varieties that are largely mutually intelligible, including 260,000 Hmong Americans. Over half of all Hmong speakers speak the various dialects in China, where the Dananshan (大南山) dialect forms the basis of the standard language. However, Hmong Daw (White Miao) and Mong Njua (Green Miao) are only widely known in Laos and the United States; Dananshan is more widely known in the native region of Hmong.
Nr 183 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
183.2 |
Nr 184 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
16E00 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16E20 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16E40 | 𖹀 | 𖹁 | 𖹂 | 𖹃 | 𖹄 | 𖹅 | 𖹆 | 𖹇 | 𖹈 | 𖹉 | 𖹊 | 𖹋 | 𖹌 | 𖹍 | 𖹎 | 𖹏 | 𖹐 | 𖹑 | 𖹒 | 𖹓 | 𖹔 | 𖹕 | 𖹖 | 𖹗 | 𖹘 | 𖹙 | 𖹚 | 𖹛 | 𖹜 | 𖹝 | 𖹞 | 𖹟 |
16E60 | 𖹠 | 𖹡 | 𖹢 | 𖹣 | 𖹤 | 𖹥 | 𖹦 | 𖹧 | 𖹨 | 𖹩 | 𖹪 | 𖹫 | 𖹬 | 𖹭 | 𖹮 | 𖹯 | 𖹰 | 𖹱 | 𖹲 | 𖹳 | 𖹴 | 𖹵 | 𖹶 | 𖹷 | 𖹸 | 𖹹 | 𖹺 | 𖹻 | 𖹼 | 𖹽 | 𖹾 | 𖹿 |
16E80 | 𖺀 | 𖺁 | 𖺂 | 𖺃 | 𖺄 | 𖺅 | 𖺆 | 𖺇 | 𖺈 | 𖺉 | 𖺊 | 𖺋 | 𖺌 | 𖺍 | 𖺎 | 𖺏 | 𖺐 | 𖺑 | 𖺒 | 𖺓 | 𖺔 | 𖺕 | 𖺖 | 𖺗 | 𖺘 | 𖺙 | 𖺚 | | | | | |
16EA0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16EC0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16EE0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
184.2 | ||||||||||||||||||||||||||||||||
16F00 | 𖼀 | 𖼁 | 𖼂 | 𖼃 | 𖼄 | 𖼅 | 𖼆 | 𖼇 | 𖼈 | 𖼉 | 𖼊 | 𖼋 | 𖼌 | 𖼍 | 𖼎 | 𖼏 | 𖼐 | 𖼑 | 𖼒 | 𖼓 | 𖼔 | 𖼕 | 𖼖 | 𖼗 | 𖼘 | 𖼙 | 𖼚 | 𖼛 | 𖼜 | 𖼝 | 𖼞 | 𖼟 |
16F20 | 𖼠 | 𖼡 | 𖼢 | 𖼣 | 𖼤 | 𖼥 | 𖼦 | 𖼧 | 𖼨 | 𖼩 | 𖼪 | 𖼫 | 𖼬 | 𖼭 | 𖼮 | 𖼯 | 𖼰 | 𖼱 | 𖼲 | 𖼳 | 𖼴 | 𖼵 | 𖼶 | 𖼷 | 𖼸 | 𖼹 | 𖼺 | 𖼻 | 𖼼 | 𖼽 | 𖼾 | 𖼿 |
16F40 | 𖽀 | 𖽁 | 𖽂 | 𖽃 | 𖽄 | 𖽅 | 𖽆 | 𖽇 | 𖽈 | 𖽉 | 𖽊 | | | | | 𖽏 | 𖽐 | 𖽑 | 𖽒 | 𖽓 | 𖽔 | 𖽕 | 𖽖 | 𖽗 | 𖽘 | 𖽙 | 𖽚 | 𖽛 | 𖽜 | 𖽝 | 𖽞 | 𖽟 |
16F60 | 𖽠 | 𖽡 | 𖽢 | 𖽣 | 𖽤 | 𖽥 | 𖽦 | 𖽧 | 𖽨 | 𖽩 | 𖽪 | 𖽫 | 𖽬 | 𖽭 | 𖽮 | 𖽯 | 𖽰 | 𖽱 | 𖽲 | 𖽳 | 𖽴 | 𖽵 | 𖽶 | 𖽷 | 𖽸 | 𖽹 | 𖽺 | 𖽻 | 𖽼 | 𖽽 | 𖽾 | 𖽿 |
16F80 | 𖾀 | 𖾁 | 𖾂 | 𖾃 | 𖾄 | 𖾅 | 𖾆 | 𖾇 | | | | | | | | 𖾏 | 𖾐 | 𖾑 | 𖾒 | 𖾓 | 𖾔 | 𖾕 | 𖾖 | 𖾗 | 𖾘 | 𖾙 | 𖾚 | 𖾛 | 𖾜 | 𖾝 | 𖾞 | 𖾟 |
16FA0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16FC0 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
16FE0 | 𖿠 | 𖿡 | 𖿢 | 𖿣 | 𖿤 | | | | | | | | | | | | 𖿰 | 𖿱 | | | | | | | | | | | | | | |
U+16E40 Medefaidrin (, 96 codes from 16E40–16E9F. Language in ): Medefaidrin is the language and script of the Christian community in Nigeria. In Russian literature it also appears by the name Oberi-Okaime. Both language and script appeared simultaneously around 1931. Rumour has it that a holy spirit turned up in front of one of the founders and taught him the language. And the writing came to his disciple in a dream. This secret knowledge was used in praying and they tried to teach it at school. The colonial authorities did not like the latter and the practice was cancelled. Nowadays the script is no longer used, and only a few old manuscripts have survived. The structure of the Medefaidrin language resembles the local colloquial ibibio. And the alphabet was probably created under the Latin influence. It is constant-vocal. The direction of writing is from left to right. The script includes 32 letters, while the outlines of the uppercase differ significantly from the lowercase. Therefore, they are encoded as separate characters in Unicode. You may encounter four punctuation marks in the script. Two of them are used as European dot and comma, the other two are unique. There are also 20 digits for the positional twenty number system.
U+16F00 Miao (, 160 codes from 16F00–16F9F. Language in ): The Pollard script, also known as Pollard Miao (Chinese: 柏格理苗文 Bó Gélǐ Miao-wen) or Miao, is an abugida based on the Latin alphabet and invented by Methodist missionary Sam Pollard. Pollard invented the script for use with A-Hmao, one of the several Miao languages. The script underwent a series of revisions until 1936, when there was published a translation of the New Testament, containing Pollard Miao.The Legend The introduction of Christian materials in the script that Pollard invented caused a great impact among the Miao. Part of the reason was that they had a legend about how their ancestors had possessed a script but lost it. According to the legend, the script would be brought back some day. When the script was introduced, many Miao came from far away to see and learn it.Other influencers Pollard credited the basic idea of the script to the Cree syllabics designed by James Evans in 1838–1841. “While working out the problem, we remembered the case of the syllabics used by a Methodist missionary among the Indians of North America, and resolved to do as he had done”. He also gave credit to a Chinese pastor, “Stephen Lee assisted me very ably in this matter, and at last we arrived at a system”.Further changes Changing politics in China led to the use of several competing scripts, most of which were romanizations. The Pollard script remains popular among Hmong in China, although Hmong outside China tend to use one of the alternative scripts. A revision of the script was completed in 1988, and the script remains in use. As with most other abugidas, the Pollard letters represent consonants, whereas vowels are indicated by diacritics. Uniquely, however, the position of this diacritic is varied to represent tone. For example, in Western Hmong, placing the vowel diacritic above the consonant letter indicates that the syllable has a high tone, whereas placing it at the bottom right indicates a low tone.
U+16FE0 Ideographic Symbols and Punctuation (, 32 codes from 16FE0–16FFF. Language in ): The block contains obsolete punctuation marks for ideographic and syllabic scripts. It offers some repetition signs (odoriji) for Tangut and . It also includes a text markup icon for ancient Chinese and tags which offer alternative readings of Vietnamese graphemes.
Nr 185 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17000 | 𗀀 | 𗀁 | 𗀂 | 𗀃 | 𗀄 | 𗀅 | 𗀆 | 𗀇 | 𗀈 | 𗀉 | 𗀊 | 𗀋 | 𗀌 | 𗀍 | 𗀎 | 𗀏 | 𗀐 | 𗀑 | 𗀒 | 𗀓 | 𗀔 | 𗀕 | 𗀖 | 𗀗 | 𗀘 | 𗀙 | 𗀚 | 𗀛 | 𗀜 | 𗀝 | 𗀞 | 𗀟 |
17020 | 𗀠 | 𗀡 | 𗀢 | 𗀣 | 𗀤 | 𗀥 | 𗀦 | 𗀧 | 𗀨 | 𗀩 | 𗀪 | 𗀫 | 𗀬 | 𗀭 | 𗀮 | 𗀯 | 𗀰 | 𗀱 | 𗀲 | 𗀳 | 𗀴 | 𗀵 | 𗀶 | 𗀷 | 𗀸 | 𗀹 | 𗀺 | 𗀻 | 𗀼 | 𗀽 | 𗀾 | 𗀿 |
17040 | 𗁀 | 𗁁 | 𗁂 | 𗁃 | 𗁄 | 𗁅 | 𗁆 | 𗁇 | 𗁈 | 𗁉 | 𗁊 | 𗁋 | 𗁌 | 𗁍 | 𗁎 | 𗁏 | 𗁐 | 𗁑 | 𗁒 | 𗁓 | 𗁔 | 𗁕 | 𗁖 | 𗁗 | 𗁘 | 𗁙 | 𗁚 | 𗁛 | 𗁜 | 𗁝 | 𗁞 | 𗁟 |
17060 | 𗁠 | 𗁡 | 𗁢 | 𗁣 | 𗁤 | 𗁥 | 𗁦 | 𗁧 | 𗁨 | 𗁩 | 𗁪 | 𗁫 | 𗁬 | 𗁭 | 𗁮 | 𗁯 | 𗁰 | 𗁱 | 𗁲 | 𗁳 | 𗁴 | 𗁵 | 𗁶 | 𗁷 | 𗁸 | 𗁹 | 𗁺 | 𗁻 | 𗁼 | 𗁽 | 𗁾 | 𗁿 |
17080 | 𗂀 | 𗂁 | 𗂂 | 𗂃 | 𗂄 | 𗂅 | 𗂆 | 𗂇 | 𗂈 | 𗂉 | 𗂊 | 𗂋 | 𗂌 | 𗂍 | 𗂎 | 𗂏 | 𗂐 | 𗂑 | 𗂒 | 𗂓 | 𗂔 | 𗂕 | 𗂖 | 𗂗 | 𗂘 | 𗂙 | 𗂚 | 𗂛 | 𗂜 | 𗂝 | 𗂞 | 𗂟 |
170A0 | 𗂠 | 𗂡 | 𗂢 | 𗂣 | 𗂤 | 𗂥 | 𗂦 | 𗂧 | 𗂨 | 𗂩 | 𗂪 | 𗂫 | 𗂬 | 𗂭 | 𗂮 | 𗂯 | 𗂰 | 𗂱 | 𗂲 | 𗂳 | 𗂴 | 𗂵 | 𗂶 | 𗂷 | 𗂸 | 𗂹 | 𗂺 | 𗂻 | 𗂼 | 𗂽 | 𗂾 | 𗂿 |
170C0 | 𗃀 | 𗃁 | 𗃂 | 𗃃 | 𗃄 | 𗃅 | 𗃆 | 𗃇 | 𗃈 | 𗃉 | 𗃊 | 𗃋 | 𗃌 | 𗃍 | 𗃎 | 𗃏 | 𗃐 | 𗃑 | 𗃒 | 𗃓 | 𗃔 | 𗃕 | 𗃖 | 𗃗 | 𗃘 | 𗃙 | 𗃚 | 𗃛 | 𗃜 | 𗃝 | 𗃞 | 𗃟 |
170E0 | 𗃠 | 𗃡 | 𗃢 | 𗃣 | 𗃤 | 𗃥 | 𗃦 | 𗃧 | 𗃨 | 𗃩 | 𗃪 | 𗃫 | 𗃬 | 𗃭 | 𗃮 | 𗃯 | 𗃰 | 𗃱 | 𗃲 | 𗃳 | 𗃴 | 𗃵 | 𗃶 | 𗃷 | 𗃸 | 𗃹 | 𗃺 | 𗃻 | 𗃼 | 𗃽 | 𗃾 | 𗃿 |
185.2 | ||||||||||||||||||||||||||||||||
17100 | 𗄀 | 𗄁 | 𗄂 | 𗄃 | 𗄄 | 𗄅 | 𗄆 | 𗄇 | 𗄈 | 𗄉 | 𗄊 | 𗄋 | 𗄌 | 𗄍 | 𗄎 | 𗄏 | 𗄐 | 𗄑 | 𗄒 | 𗄓 | 𗄔 | 𗄕 | 𗄖 | 𗄗 | 𗄘 | 𗄙 | 𗄚 | 𗄛 | 𗄜 | 𗄝 | 𗄞 | 𗄟 |
17120 | 𗄠 | 𗄡 | 𗄢 | 𗄣 | 𗄤 | 𗄥 | 𗄦 | 𗄧 | 𗄨 | 𗄩 | 𗄪 | 𗄫 | 𗄬 | 𗄭 | 𗄮 | 𗄯 | 𗄰 | 𗄱 | 𗄲 | 𗄳 | 𗄴 | 𗄵 | 𗄶 | 𗄷 | 𗄸 | 𗄹 | 𗄺 | 𗄻 | 𗄼 | 𗄽 | 𗄾 | 𗄿 |
17140 | 𗅀 | 𗅁 | 𗅂 | 𗅃 | 𗅄 | 𗅅 | 𗅆 | 𗅇 | 𗅈 | 𗅉 | 𗅊 | 𗅋 | 𗅌 | 𗅍 | 𗅎 | 𗅏 | 𗅐 | 𗅑 | 𗅒 | 𗅓 | 𗅔 | 𗅕 | 𗅖 | 𗅗 | 𗅘 | 𗅙 | 𗅚 | 𗅛 | 𗅜 | 𗅝 | 𗅞 | 𗅟 |
17160 | 𗅠 | 𗅡 | 𗅢 | 𗅣 | 𗅤 | 𗅥 | 𗅦 | 𗅧 | 𗅨 | 𗅩 | 𗅪 | 𗅫 | 𗅬 | 𗅭 | 𗅮 | 𗅯 | 𗅰 | 𗅱 | 𗅲 | 𗅳 | 𗅴 | 𗅵 | 𗅶 | 𗅷 | 𗅸 | 𗅹 | 𗅺 | 𗅻 | 𗅼 | 𗅽 | 𗅾 | 𗅿 |
17180 | 𗆀 | 𗆁 | 𗆂 | 𗆃 | 𗆄 | 𗆅 | 𗆆 | 𗆇 | 𗆈 | 𗆉 | 𗆊 | 𗆋 | 𗆌 | 𗆍 | 𗆎 | 𗆏 | 𗆐 | 𗆑 | 𗆒 | 𗆓 | 𗆔 | 𗆕 | 𗆖 | 𗆗 | 𗆘 | 𗆙 | 𗆚 | 𗆛 | 𗆜 | 𗆝 | 𗆞 | 𗆟 |
171A0 | 𗆠 | 𗆡 | 𗆢 | 𗆣 | 𗆤 | 𗆥 | 𗆦 | 𗆧 | 𗆨 | 𗆩 | 𗆪 | 𗆫 | 𗆬 | 𗆭 | 𗆮 | 𗆯 | 𗆰 | 𗆱 | 𗆲 | 𗆳 | 𗆴 | 𗆵 | 𗆶 | 𗆷 | 𗆸 | 𗆹 | 𗆺 | 𗆻 | 𗆼 | 𗆽 | 𗆾 | 𗆿 |
171C0 | 𗇀 | 𗇁 | 𗇂 | 𗇃 | 𗇄 | 𗇅 | 𗇆 | 𗇇 | 𗇈 | 𗇉 | 𗇊 | 𗇋 | 𗇌 | 𗇍 | 𗇎 | 𗇏 | 𗇐 | 𗇑 | 𗇒 | 𗇓 | 𗇔 | 𗇕 | 𗇖 | 𗇗 | 𗇘 | 𗇙 | 𗇚 | 𗇛 | 𗇜 | 𗇝 | 𗇞 | 𗇟 |
171E0 | 𗇠 | 𗇡 | 𗇢 | 𗇣 | 𗇤 | 𗇥 | 𗇦 | 𗇧 | 𗇨 | 𗇩 | 𗇪 | 𗇫 | 𗇬 | 𗇭 | 𗇮 | 𗇯 | 𗇰 | 𗇱 | 𗇲 | 𗇳 | 𗇴 | 𗇵 | 𗇶 | 𗇷 | 𗇸 | 𗇹 | 𗇺 | 𗇻 | 𗇼 | 𗇽 | 𗇾 | 𗇿 |
U+17000 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 186 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17200 | 𗈀 | 𗈁 | 𗈂 | 𗈃 | 𗈄 | 𗈅 | 𗈆 | 𗈇 | 𗈈 | 𗈉 | 𗈊 | 𗈋 | 𗈌 | 𗈍 | 𗈎 | 𗈏 | 𗈐 | 𗈑 | 𗈒 | 𗈓 | 𗈔 | 𗈕 | 𗈖 | 𗈗 | 𗈘 | 𗈙 | 𗈚 | 𗈛 | 𗈜 | 𗈝 | 𗈞 | 𗈟 |
17220 | 𗈠 | 𗈡 | 𗈢 | 𗈣 | 𗈤 | 𗈥 | 𗈦 | 𗈧 | 𗈨 | 𗈩 | 𗈪 | 𗈫 | 𗈬 | 𗈭 | 𗈮 | 𗈯 | 𗈰 | 𗈱 | 𗈲 | 𗈳 | 𗈴 | 𗈵 | 𗈶 | 𗈷 | 𗈸 | 𗈹 | 𗈺 | 𗈻 | 𗈼 | 𗈽 | 𗈾 | 𗈿 |
17240 | 𗉀 | 𗉁 | 𗉂 | 𗉃 | 𗉄 | 𗉅 | 𗉆 | 𗉇 | 𗉈 | 𗉉 | 𗉊 | 𗉋 | 𗉌 | 𗉍 | 𗉎 | 𗉏 | 𗉐 | 𗉑 | 𗉒 | 𗉓 | 𗉔 | 𗉕 | 𗉖 | 𗉗 | 𗉘 | 𗉙 | 𗉚 | 𗉛 | 𗉜 | 𗉝 | 𗉞 | 𗉟 |
17260 | 𗉠 | 𗉡 | 𗉢 | 𗉣 | 𗉤 | 𗉥 | 𗉦 | 𗉧 | 𗉨 | 𗉩 | 𗉪 | 𗉫 | 𗉬 | 𗉭 | 𗉮 | 𗉯 | 𗉰 | 𗉱 | 𗉲 | 𗉳 | 𗉴 | 𗉵 | 𗉶 | 𗉷 | 𗉸 | 𗉹 | 𗉺 | 𗉻 | 𗉼 | 𗉽 | 𗉾 | 𗉿 |
17280 | 𗊀 | 𗊁 | 𗊂 | 𗊃 | 𗊄 | 𗊅 | 𗊆 | 𗊇 | 𗊈 | 𗊉 | 𗊊 | 𗊋 | 𗊌 | 𗊍 | 𗊎 | 𗊏 | 𗊐 | 𗊑 | 𗊒 | 𗊓 | 𗊔 | 𗊕 | 𗊖 | 𗊗 | 𗊘 | 𗊙 | 𗊚 | 𗊛 | 𗊜 | 𗊝 | 𗊞 | 𗊟 |
172A0 | 𗊠 | 𗊡 | 𗊢 | 𗊣 | 𗊤 | 𗊥 | 𗊦 | 𗊧 | 𗊨 | 𗊩 | 𗊪 | 𗊫 | 𗊬 | 𗊭 | 𗊮 | 𗊯 | 𗊰 | 𗊱 | 𗊲 | 𗊳 | 𗊴 | 𗊵 | 𗊶 | 𗊷 | 𗊸 | 𗊹 | 𗊺 | 𗊻 | 𗊼 | 𗊽 | 𗊾 | 𗊿 |
172C0 | 𗋀 | 𗋁 | 𗋂 | 𗋃 | 𗋄 | 𗋅 | 𗋆 | 𗋇 | 𗋈 | 𗋉 | 𗋊 | 𗋋 | 𗋌 | 𗋍 | 𗋎 | 𗋏 | 𗋐 | 𗋑 | 𗋒 | 𗋓 | 𗋔 | 𗋕 | 𗋖 | 𗋗 | 𗋘 | 𗋙 | 𗋚 | 𗋛 | 𗋜 | 𗋝 | 𗋞 | 𗋟 |
172E0 | 𗋠 | 𗋡 | 𗋢 | 𗋣 | 𗋤 | 𗋥 | 𗋦 | 𗋧 | 𗋨 | 𗋩 | 𗋪 | 𗋫 | 𗋬 | 𗋭 | 𗋮 | 𗋯 | 𗋰 | 𗋱 | 𗋲 | 𗋳 | 𗋴 | 𗋵 | 𗋶 | 𗋷 | 𗋸 | 𗋹 | 𗋺 | 𗋻 | 𗋼 | 𗋽 | 𗋾 | 𗋿 |
186.2 | ||||||||||||||||||||||||||||||||
17300 | 𗌀 | 𗌁 | 𗌂 | 𗌃 | 𗌄 | 𗌅 | 𗌆 | 𗌇 | 𗌈 | 𗌉 | 𗌊 | 𗌋 | 𗌌 | 𗌍 | 𗌎 | 𗌏 | 𗌐 | 𗌑 | 𗌒 | 𗌓 | 𗌔 | 𗌕 | 𗌖 | 𗌗 | 𗌘 | 𗌙 | 𗌚 | 𗌛 | 𗌜 | 𗌝 | 𗌞 | 𗌟 |
17320 | 𗌠 | 𗌡 | 𗌢 | 𗌣 | 𗌤 | 𗌥 | 𗌦 | 𗌧 | 𗌨 | 𗌩 | 𗌪 | 𗌫 | 𗌬 | 𗌭 | 𗌮 | 𗌯 | 𗌰 | 𗌱 | 𗌲 | 𗌳 | 𗌴 | 𗌵 | 𗌶 | 𗌷 | 𗌸 | 𗌹 | 𗌺 | 𗌻 | 𗌼 | 𗌽 | 𗌾 | 𗌿 |
17340 | 𗍀 | 𗍁 | 𗍂 | 𗍃 | 𗍄 | 𗍅 | 𗍆 | 𗍇 | 𗍈 | 𗍉 | 𗍊 | 𗍋 | 𗍌 | 𗍍 | 𗍎 | 𗍏 | 𗍐 | 𗍑 | 𗍒 | 𗍓 | 𗍔 | 𗍕 | 𗍖 | 𗍗 | 𗍘 | 𗍙 | 𗍚 | 𗍛 | 𗍜 | 𗍝 | 𗍞 | 𗍟 |
17360 | 𗍠 | 𗍡 | 𗍢 | 𗍣 | 𗍤 | 𗍥 | 𗍦 | 𗍧 | 𗍨 | 𗍩 | 𗍪 | 𗍫 | 𗍬 | 𗍭 | 𗍮 | 𗍯 | 𗍰 | 𗍱 | 𗍲 | 𗍳 | 𗍴 | 𗍵 | 𗍶 | 𗍷 | 𗍸 | 𗍹 | 𗍺 | 𗍻 | 𗍼 | 𗍽 | 𗍾 | 𗍿 |
17380 | 𗎀 | 𗎁 | 𗎂 | 𗎃 | 𗎄 | 𗎅 | 𗎆 | 𗎇 | 𗎈 | 𗎉 | 𗎊 | 𗎋 | 𗎌 | 𗎍 | 𗎎 | 𗎏 | 𗎐 | 𗎑 | 𗎒 | 𗎓 | 𗎔 | 𗎕 | 𗎖 | 𗎗 | 𗎘 | 𗎙 | 𗎚 | 𗎛 | 𗎜 | 𗎝 | 𗎞 | 𗎟 |
173A0 | 𗎠 | 𗎡 | 𗎢 | 𗎣 | 𗎤 | 𗎥 | 𗎦 | 𗎧 | 𗎨 | 𗎩 | 𗎪 | 𗎫 | 𗎬 | 𗎭 | 𗎮 | 𗎯 | 𗎰 | 𗎱 | 𗎲 | 𗎳 | 𗎴 | 𗎵 | 𗎶 | 𗎷 | 𗎸 | 𗎹 | 𗎺 | 𗎻 | 𗎼 | 𗎽 | 𗎾 | 𗎿 |
173C0 | 𗏀 | 𗏁 | 𗏂 | 𗏃 | 𗏄 | 𗏅 | 𗏆 | 𗏇 | 𗏈 | 𗏉 | 𗏊 | 𗏋 | 𗏌 | 𗏍 | 𗏎 | 𗏏 | 𗏐 | 𗏑 | 𗏒 | 𗏓 | 𗏔 | 𗏕 | 𗏖 | 𗏗 | 𗏘 | 𗏙 | 𗏚 | 𗏛 | 𗏜 | 𗏝 | 𗏞 | 𗏟 |
173E0 | 𗏠 | 𗏡 | 𗏢 | 𗏣 | 𗏤 | 𗏥 | 𗏦 | 𗏧 | 𗏨 | 𗏩 | 𗏪 | 𗏫 | 𗏬 | 𗏭 | 𗏮 | 𗏯 | 𗏰 | 𗏱 | 𗏲 | 𗏳 | 𗏴 | 𗏵 | 𗏶 | 𗏷 | 𗏸 | 𗏹 | 𗏺 | 𗏻 | 𗏼 | 𗏽 | 𗏾 | 𗏿 |
U+17200 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 187 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17400 | 𗐀 | 𗐁 | 𗐂 | 𗐃 | 𗐄 | 𗐅 | 𗐆 | 𗐇 | 𗐈 | 𗐉 | 𗐊 | 𗐋 | 𗐌 | 𗐍 | 𗐎 | 𗐏 | 𗐐 | 𗐑 | 𗐒 | 𗐓 | 𗐔 | 𗐕 | 𗐖 | 𗐗 | 𗐘 | 𗐙 | 𗐚 | 𗐛 | 𗐜 | 𗐝 | 𗐞 | 𗐟 |
17420 | 𗐠 | 𗐡 | 𗐢 | 𗐣 | 𗐤 | 𗐥 | 𗐦 | 𗐧 | 𗐨 | 𗐩 | 𗐪 | 𗐫 | 𗐬 | 𗐭 | 𗐮 | 𗐯 | 𗐰 | 𗐱 | 𗐲 | 𗐳 | 𗐴 | 𗐵 | 𗐶 | 𗐷 | 𗐸 | 𗐹 | 𗐺 | 𗐻 | 𗐼 | 𗐽 | 𗐾 | 𗐿 |
17440 | 𗑀 | 𗑁 | 𗑂 | 𗑃 | 𗑄 | 𗑅 | 𗑆 | 𗑇 | 𗑈 | 𗑉 | 𗑊 | 𗑋 | 𗑌 | 𗑍 | 𗑎 | 𗑏 | 𗑐 | 𗑑 | 𗑒 | 𗑓 | 𗑔 | 𗑕 | 𗑖 | 𗑗 | 𗑘 | 𗑙 | 𗑚 | 𗑛 | 𗑜 | 𗑝 | 𗑞 | 𗑟 |
17460 | 𗑠 | 𗑡 | 𗑢 | 𗑣 | 𗑤 | 𗑥 | 𗑦 | 𗑧 | 𗑨 | 𗑩 | 𗑪 | 𗑫 | 𗑬 | 𗑭 | 𗑮 | 𗑯 | 𗑰 | 𗑱 | 𗑲 | 𗑳 | 𗑴 | 𗑵 | 𗑶 | 𗑷 | 𗑸 | 𗑹 | 𗑺 | 𗑻 | 𗑼 | 𗑽 | 𗑾 | 𗑿 |
17480 | 𗒀 | 𗒁 | 𗒂 | 𗒃 | 𗒄 | 𗒅 | 𗒆 | 𗒇 | 𗒈 | 𗒉 | 𗒊 | 𗒋 | 𗒌 | 𗒍 | 𗒎 | 𗒏 | 𗒐 | 𗒑 | 𗒒 | 𗒓 | 𗒔 | 𗒕 | 𗒖 | 𗒗 | 𗒘 | 𗒙 | 𗒚 | 𗒛 | 𗒜 | 𗒝 | 𗒞 | 𗒟 |
174A0 | 𗒠 | 𗒡 | 𗒢 | 𗒣 | 𗒤 | 𗒥 | 𗒦 | 𗒧 | 𗒨 | 𗒩 | 𗒪 | 𗒫 | 𗒬 | 𗒭 | 𗒮 | 𗒯 | 𗒰 | 𗒱 | 𗒲 | 𗒳 | 𗒴 | 𗒵 | 𗒶 | 𗒷 | 𗒸 | 𗒹 | 𗒺 | 𗒻 | 𗒼 | 𗒽 | 𗒾 | 𗒿 |
174C0 | 𗓀 | 𗓁 | 𗓂 | 𗓃 | 𗓄 | 𗓅 | 𗓆 | 𗓇 | 𗓈 | 𗓉 | 𗓊 | 𗓋 | 𗓌 | 𗓍 | 𗓎 | 𗓏 | 𗓐 | 𗓑 | 𗓒 | 𗓓 | 𗓔 | 𗓕 | 𗓖 | 𗓗 | 𗓘 | 𗓙 | 𗓚 | 𗓛 | 𗓜 | 𗓝 | 𗓞 | 𗓟 |
174E0 | 𗓠 | 𗓡 | 𗓢 | 𗓣 | 𗓤 | 𗓥 | 𗓦 | 𗓧 | 𗓨 | 𗓩 | 𗓪 | 𗓫 | 𗓬 | 𗓭 | 𗓮 | 𗓯 | 𗓰 | 𗓱 | 𗓲 | 𗓳 | 𗓴 | 𗓵 | 𗓶 | 𗓷 | 𗓸 | 𗓹 | 𗓺 | 𗓻 | 𗓼 | 𗓽 | 𗓾 | 𗓿 |
187.2 | ||||||||||||||||||||||||||||||||
17500 | 𗔀 | 𗔁 | 𗔂 | 𗔃 | 𗔄 | 𗔅 | 𗔆 | 𗔇 | 𗔈 | 𗔉 | 𗔊 | 𗔋 | 𗔌 | 𗔍 | 𗔎 | 𗔏 | 𗔐 | 𗔑 | 𗔒 | 𗔓 | 𗔔 | 𗔕 | 𗔖 | 𗔗 | 𗔘 | 𗔙 | 𗔚 | 𗔛 | 𗔜 | 𗔝 | 𗔞 | 𗔟 |
17520 | 𗔠 | 𗔡 | 𗔢 | 𗔣 | 𗔤 | 𗔥 | 𗔦 | 𗔧 | 𗔨 | 𗔩 | 𗔪 | 𗔫 | 𗔬 | 𗔭 | 𗔮 | 𗔯 | 𗔰 | 𗔱 | 𗔲 | 𗔳 | 𗔴 | 𗔵 | 𗔶 | 𗔷 | 𗔸 | 𗔹 | 𗔺 | 𗔻 | 𗔼 | 𗔽 | 𗔾 | 𗔿 |
17540 | 𗕀 | 𗕁 | 𗕂 | 𗕃 | 𗕄 | 𗕅 | 𗕆 | 𗕇 | 𗕈 | 𗕉 | 𗕊 | 𗕋 | 𗕌 | 𗕍 | 𗕎 | 𗕏 | 𗕐 | 𗕑 | 𗕒 | 𗕓 | 𗕔 | 𗕕 | 𗕖 | 𗕗 | 𗕘 | 𗕙 | 𗕚 | 𗕛 | 𗕜 | 𗕝 | 𗕞 | 𗕟 |
17560 | 𗕠 | 𗕡 | 𗕢 | 𗕣 | 𗕤 | 𗕥 | 𗕦 | 𗕧 | 𗕨 | 𗕩 | 𗕪 | 𗕫 | 𗕬 | 𗕭 | 𗕮 | 𗕯 | 𗕰 | 𗕱 | 𗕲 | 𗕳 | 𗕴 | 𗕵 | 𗕶 | 𗕷 | 𗕸 | 𗕹 | 𗕺 | 𗕻 | 𗕼 | 𗕽 | 𗕾 | 𗕿 |
17580 | 𗖀 | 𗖁 | 𗖂 | 𗖃 | 𗖄 | 𗖅 | 𗖆 | 𗖇 | 𗖈 | 𗖉 | 𗖊 | 𗖋 | 𗖌 | 𗖍 | 𗖎 | 𗖏 | 𗖐 | 𗖑 | 𗖒 | 𗖓 | 𗖔 | 𗖕 | 𗖖 | 𗖗 | 𗖘 | 𗖙 | 𗖚 | 𗖛 | 𗖜 | 𗖝 | 𗖞 | 𗖟 |
175A0 | 𗖠 | 𗖡 | 𗖢 | 𗖣 | 𗖤 | 𗖥 | 𗖦 | 𗖧 | 𗖨 | 𗖩 | 𗖪 | 𗖫 | 𗖬 | 𗖭 | 𗖮 | 𗖯 | 𗖰 | 𗖱 | 𗖲 | 𗖳 | 𗖴 | 𗖵 | 𗖶 | 𗖷 | 𗖸 | 𗖹 | 𗖺 | 𗖻 | 𗖼 | 𗖽 | 𗖾 | 𗖿 |
175C0 | 𗗀 | 𗗁 | 𗗂 | 𗗃 | 𗗄 | 𗗅 | 𗗆 | 𗗇 | 𗗈 | 𗗉 | 𗗊 | 𗗋 | 𗗌 | 𗗍 | 𗗎 | 𗗏 | 𗗐 | 𗗑 | 𗗒 | 𗗓 | 𗗔 | 𗗕 | 𗗖 | 𗗗 | 𗗘 | 𗗙 | 𗗚 | 𗗛 | 𗗜 | 𗗝 | 𗗞 | 𗗟 |
175E0 | 𗗠 | 𗗡 | 𗗢 | 𗗣 | 𗗤 | 𗗥 | 𗗦 | 𗗧 | 𗗨 | 𗗩 | 𗗪 | 𗗫 | 𗗬 | 𗗭 | 𗗮 | 𗗯 | 𗗰 | 𗗱 | 𗗲 | 𗗳 | 𗗴 | 𗗵 | 𗗶 | 𗗷 | 𗗸 | 𗗹 | 𗗺 | 𗗻 | 𗗼 | 𗗽 | 𗗾 | 𗗿 |
U+17400 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 188 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17600 | 𗘀 | 𗘁 | 𗘂 | 𗘃 | 𗘄 | 𗘅 | 𗘆 | 𗘇 | 𗘈 | 𗘉 | 𗘊 | 𗘋 | 𗘌 | 𗘍 | 𗘎 | 𗘏 | 𗘐 | 𗘑 | 𗘒 | 𗘓 | 𗘔 | 𗘕 | 𗘖 | 𗘗 | 𗘘 | 𗘙 | 𗘚 | 𗘛 | 𗘜 | 𗘝 | 𗘞 | 𗘟 |
17620 | 𗘠 | 𗘡 | 𗘢 | 𗘣 | 𗘤 | 𗘥 | 𗘦 | 𗘧 | 𗘨 | 𗘩 | 𗘪 | 𗘫 | 𗘬 | 𗘭 | 𗘮 | 𗘯 | 𗘰 | 𗘱 | 𗘲 | 𗘳 | 𗘴 | 𗘵 | 𗘶 | 𗘷 | 𗘸 | 𗘹 | 𗘺 | 𗘻 | 𗘼 | 𗘽 | 𗘾 | 𗘿 |
17640 | 𗙀 | 𗙁 | 𗙂 | 𗙃 | 𗙄 | 𗙅 | 𗙆 | 𗙇 | 𗙈 | 𗙉 | 𗙊 | 𗙋 | 𗙌 | 𗙍 | 𗙎 | 𗙏 | 𗙐 | 𗙑 | 𗙒 | 𗙓 | 𗙔 | 𗙕 | 𗙖 | 𗙗 | 𗙘 | 𗙙 | 𗙚 | 𗙛 | 𗙜 | 𗙝 | 𗙞 | 𗙟 |
17660 | 𗙠 | 𗙡 | 𗙢 | 𗙣 | 𗙤 | 𗙥 | 𗙦 | 𗙧 | 𗙨 | 𗙩 | 𗙪 | 𗙫 | 𗙬 | 𗙭 | 𗙮 | 𗙯 | 𗙰 | 𗙱 | 𗙲 | 𗙳 | 𗙴 | 𗙵 | 𗙶 | 𗙷 | 𗙸 | 𗙹 | 𗙺 | 𗙻 | 𗙼 | 𗙽 | 𗙾 | 𗙿 |
17680 | 𗚀 | 𗚁 | 𗚂 | 𗚃 | 𗚄 | 𗚅 | 𗚆 | 𗚇 | 𗚈 | 𗚉 | 𗚊 | 𗚋 | 𗚌 | 𗚍 | 𗚎 | 𗚏 | 𗚐 | 𗚑 | 𗚒 | 𗚓 | 𗚔 | 𗚕 | 𗚖 | 𗚗 | 𗚘 | 𗚙 | 𗚚 | 𗚛 | 𗚜 | 𗚝 | 𗚞 | 𗚟 |
176A0 | 𗚠 | 𗚡 | 𗚢 | 𗚣 | 𗚤 | 𗚥 | 𗚦 | 𗚧 | 𗚨 | 𗚩 | 𗚪 | 𗚫 | 𗚬 | 𗚭 | 𗚮 | 𗚯 | 𗚰 | 𗚱 | 𗚲 | 𗚳 | 𗚴 | 𗚵 | 𗚶 | 𗚷 | 𗚸 | 𗚹 | 𗚺 | 𗚻 | 𗚼 | 𗚽 | 𗚾 | 𗚿 |
176C0 | 𗛀 | 𗛁 | 𗛂 | 𗛃 | 𗛄 | 𗛅 | 𗛆 | 𗛇 | 𗛈 | 𗛉 | 𗛊 | 𗛋 | 𗛌 | 𗛍 | 𗛎 | 𗛏 | 𗛐 | 𗛑 | 𗛒 | 𗛓 | 𗛔 | 𗛕 | 𗛖 | 𗛗 | 𗛘 | 𗛙 | 𗛚 | 𗛛 | 𗛜 | 𗛝 | 𗛞 | 𗛟 |
176E0 | 𗛠 | 𗛡 | 𗛢 | 𗛣 | 𗛤 | 𗛥 | 𗛦 | 𗛧 | 𗛨 | 𗛩 | 𗛪 | 𗛫 | 𗛬 | 𗛭 | 𗛮 | 𗛯 | 𗛰 | 𗛱 | 𗛲 | 𗛳 | 𗛴 | 𗛵 | 𗛶 | 𗛷 | 𗛸 | 𗛹 | 𗛺 | 𗛻 | 𗛼 | 𗛽 | 𗛾 | 𗛿 |
188.2 | ||||||||||||||||||||||||||||||||
17700 | 𗜀 | 𗜁 | 𗜂 | 𗜃 | 𗜄 | 𗜅 | 𗜆 | 𗜇 | 𗜈 | 𗜉 | 𗜊 | 𗜋 | 𗜌 | 𗜍 | 𗜎 | 𗜏 | 𗜐 | 𗜑 | 𗜒 | 𗜓 | 𗜔 | 𗜕 | 𗜖 | 𗜗 | 𗜘 | 𗜙 | 𗜚 | 𗜛 | 𗜜 | 𗜝 | 𗜞 | 𗜟 |
17720 | 𗜠 | 𗜡 | 𗜢 | 𗜣 | 𗜤 | 𗜥 | 𗜦 | 𗜧 | 𗜨 | 𗜩 | 𗜪 | 𗜫 | 𗜬 | 𗜭 | 𗜮 | 𗜯 | 𗜰 | 𗜱 | 𗜲 | 𗜳 | 𗜴 | 𗜵 | 𗜶 | 𗜷 | 𗜸 | 𗜹 | 𗜺 | 𗜻 | 𗜼 | 𗜽 | 𗜾 | 𗜿 |
17740 | 𗝀 | 𗝁 | 𗝂 | 𗝃 | 𗝄 | 𗝅 | 𗝆 | 𗝇 | 𗝈 | 𗝉 | 𗝊 | 𗝋 | 𗝌 | 𗝍 | 𗝎 | 𗝏 | 𗝐 | 𗝑 | 𗝒 | 𗝓 | 𗝔 | 𗝕 | 𗝖 | 𗝗 | 𗝘 | 𗝙 | 𗝚 | 𗝛 | 𗝜 | 𗝝 | 𗝞 | 𗝟 |
17760 | 𗝠 | 𗝡 | 𗝢 | 𗝣 | 𗝤 | 𗝥 | 𗝦 | 𗝧 | 𗝨 | 𗝩 | 𗝪 | 𗝫 | 𗝬 | 𗝭 | 𗝮 | 𗝯 | 𗝰 | 𗝱 | 𗝲 | 𗝳 | 𗝴 | 𗝵 | 𗝶 | 𗝷 | 𗝸 | 𗝹 | 𗝺 | 𗝻 | 𗝼 | 𗝽 | 𗝾 | 𗝿 |
17780 | 𗞀 | 𗞁 | 𗞂 | 𗞃 | 𗞄 | 𗞅 | 𗞆 | 𗞇 | 𗞈 | 𗞉 | 𗞊 | 𗞋 | 𗞌 | 𗞍 | 𗞎 | 𗞏 | 𗞐 | 𗞑 | 𗞒 | 𗞓 | 𗞔 | 𗞕 | 𗞖 | 𗞗 | 𗞘 | 𗞙 | 𗞚 | 𗞛 | 𗞜 | 𗞝 | 𗞞 | 𗞟 |
177A0 | 𗞠 | 𗞡 | 𗞢 | 𗞣 | 𗞤 | 𗞥 | 𗞦 | 𗞧 | 𗞨 | 𗞩 | 𗞪 | 𗞫 | 𗞬 | 𗞭 | 𗞮 | 𗞯 | 𗞰 | 𗞱 | 𗞲 | 𗞳 | 𗞴 | 𗞵 | 𗞶 | 𗞷 | 𗞸 | 𗞹 | 𗞺 | 𗞻 | 𗞼 | 𗞽 | 𗞾 | 𗞿 |
177C0 | 𗟀 | 𗟁 | 𗟂 | 𗟃 | 𗟄 | 𗟅 | 𗟆 | 𗟇 | 𗟈 | 𗟉 | 𗟊 | 𗟋 | 𗟌 | 𗟍 | 𗟎 | 𗟏 | 𗟐 | 𗟑 | 𗟒 | 𗟓 | 𗟔 | 𗟕 | 𗟖 | 𗟗 | 𗟘 | 𗟙 | 𗟚 | 𗟛 | 𗟜 | 𗟝 | 𗟞 | 𗟟 |
177E0 | 𗟠 | 𗟡 | 𗟢 | 𗟣 | 𗟤 | 𗟥 | 𗟦 | 𗟧 | 𗟨 | 𗟩 | 𗟪 | 𗟫 | 𗟬 | 𗟭 | 𗟮 | 𗟯 | 𗟰 | 𗟱 | 𗟲 | 𗟳 | 𗟴 | 𗟵 | 𗟶 | 𗟷 | 𗟸 | 𗟹 | 𗟺 | 𗟻 | 𗟼 | 𗟽 | 𗟾 | 𗟿 |
U+17600 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 189 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17800 | 𗠀 | 𗠁 | 𗠂 | 𗠃 | 𗠄 | 𗠅 | 𗠆 | 𗠇 | 𗠈 | 𗠉 | 𗠊 | 𗠋 | 𗠌 | 𗠍 | 𗠎 | 𗠏 | 𗠐 | 𗠑 | 𗠒 | 𗠓 | 𗠔 | 𗠕 | 𗠖 | 𗠗 | 𗠘 | 𗠙 | 𗠚 | 𗠛 | 𗠜 | 𗠝 | 𗠞 | 𗠟 |
17820 | 𗠠 | 𗠡 | 𗠢 | 𗠣 | 𗠤 | 𗠥 | 𗠦 | 𗠧 | 𗠨 | 𗠩 | 𗠪 | 𗠫 | 𗠬 | 𗠭 | 𗠮 | 𗠯 | 𗠰 | 𗠱 | 𗠲 | 𗠳 | 𗠴 | 𗠵 | 𗠶 | 𗠷 | 𗠸 | 𗠹 | 𗠺 | 𗠻 | 𗠼 | 𗠽 | 𗠾 | 𗠿 |
17840 | 𗡀 | 𗡁 | 𗡂 | 𗡃 | 𗡄 | 𗡅 | 𗡆 | 𗡇 | 𗡈 | 𗡉 | 𗡊 | 𗡋 | 𗡌 | 𗡍 | 𗡎 | 𗡏 | 𗡐 | 𗡑 | 𗡒 | 𗡓 | 𗡔 | 𗡕 | 𗡖 | 𗡗 | 𗡘 | 𗡙 | 𗡚 | 𗡛 | 𗡜 | 𗡝 | 𗡞 | 𗡟 |
17860 | 𗡠 | 𗡡 | 𗡢 | 𗡣 | 𗡤 | 𗡥 | 𗡦 | 𗡧 | 𗡨 | 𗡩 | 𗡪 | 𗡫 | 𗡬 | 𗡭 | 𗡮 | 𗡯 | 𗡰 | 𗡱 | 𗡲 | 𗡳 | 𗡴 | 𗡵 | 𗡶 | 𗡷 | 𗡸 | 𗡹 | 𗡺 | 𗡻 | 𗡼 | 𗡽 | 𗡾 | 𗡿 |
17880 | 𗢀 | 𗢁 | 𗢂 | 𗢃 | 𗢄 | 𗢅 | 𗢆 | 𗢇 | 𗢈 | 𗢉 | 𗢊 | 𗢋 | 𗢌 | 𗢍 | 𗢎 | 𗢏 | 𗢐 | 𗢑 | 𗢒 | 𗢓 | 𗢔 | 𗢕 | 𗢖 | 𗢗 | 𗢘 | 𗢙 | 𗢚 | 𗢛 | 𗢜 | 𗢝 | 𗢞 | 𗢟 |
178A0 | 𗢠 | 𗢡 | 𗢢 | 𗢣 | 𗢤 | 𗢥 | 𗢦 | 𗢧 | 𗢨 | 𗢩 | 𗢪 | 𗢫 | 𗢬 | 𗢭 | 𗢮 | 𗢯 | 𗢰 | 𗢱 | 𗢲 | 𗢳 | 𗢴 | 𗢵 | 𗢶 | 𗢷 | 𗢸 | 𗢹 | 𗢺 | 𗢻 | 𗢼 | 𗢽 | 𗢾 | 𗢿 |
178C0 | 𗣀 | 𗣁 | 𗣂 | 𗣃 | 𗣄 | 𗣅 | 𗣆 | 𗣇 | 𗣈 | 𗣉 | 𗣊 | 𗣋 | 𗣌 | 𗣍 | 𗣎 | 𗣏 | 𗣐 | 𗣑 | 𗣒 | 𗣓 | 𗣔 | 𗣕 | 𗣖 | 𗣗 | 𗣘 | 𗣙 | 𗣚 | 𗣛 | 𗣜 | 𗣝 | 𗣞 | 𗣟 |
178E0 | 𗣠 | 𗣡 | 𗣢 | 𗣣 | 𗣤 | 𗣥 | 𗣦 | 𗣧 | 𗣨 | 𗣩 | 𗣪 | 𗣫 | 𗣬 | 𗣭 | 𗣮 | 𗣯 | 𗣰 | 𗣱 | 𗣲 | 𗣳 | 𗣴 | 𗣵 | 𗣶 | 𗣷 | 𗣸 | 𗣹 | 𗣺 | 𗣻 | 𗣼 | 𗣽 | 𗣾 | 𗣿 |
189.2 | ||||||||||||||||||||||||||||||||
17900 | 𗤀 | 𗤁 | 𗤂 | 𗤃 | 𗤄 | 𗤅 | 𗤆 | 𗤇 | 𗤈 | 𗤉 | 𗤊 | 𗤋 | 𗤌 | 𗤍 | 𗤎 | 𗤏 | 𗤐 | 𗤑 | 𗤒 | 𗤓 | 𗤔 | 𗤕 | 𗤖 | 𗤗 | 𗤘 | 𗤙 | 𗤚 | 𗤛 | 𗤜 | 𗤝 | 𗤞 | 𗤟 |
17920 | 𗤠 | 𗤡 | 𗤢 | 𗤣 | 𗤤 | 𗤥 | 𗤦 | 𗤧 | 𗤨 | 𗤩 | 𗤪 | 𗤫 | 𗤬 | 𗤭 | 𗤮 | 𗤯 | 𗤰 | 𗤱 | 𗤲 | 𗤳 | 𗤴 | 𗤵 | 𗤶 | 𗤷 | 𗤸 | 𗤹 | 𗤺 | 𗤻 | 𗤼 | 𗤽 | 𗤾 | 𗤿 |
17940 | 𗥀 | 𗥁 | 𗥂 | 𗥃 | 𗥄 | 𗥅 | 𗥆 | 𗥇 | 𗥈 | 𗥉 | 𗥊 | 𗥋 | 𗥌 | 𗥍 | 𗥎 | 𗥏 | 𗥐 | 𗥑 | 𗥒 | 𗥓 | 𗥔 | 𗥕 | 𗥖 | 𗥗 | 𗥘 | 𗥙 | 𗥚 | 𗥛 | 𗥜 | 𗥝 | 𗥞 | 𗥟 |
17960 | 𗥠 | 𗥡 | 𗥢 | 𗥣 | 𗥤 | 𗥥 | 𗥦 | 𗥧 | 𗥨 | 𗥩 | 𗥪 | 𗥫 | 𗥬 | 𗥭 | 𗥮 | 𗥯 | 𗥰 | 𗥱 | 𗥲 | 𗥳 | 𗥴 | 𗥵 | 𗥶 | 𗥷 | 𗥸 | 𗥹 | 𗥺 | 𗥻 | 𗥼 | 𗥽 | 𗥾 | 𗥿 |
17980 | 𗦀 | 𗦁 | 𗦂 | 𗦃 | 𗦄 | 𗦅 | 𗦆 | 𗦇 | 𗦈 | 𗦉 | 𗦊 | 𗦋 | 𗦌 | 𗦍 | 𗦎 | 𗦏 | 𗦐 | 𗦑 | 𗦒 | 𗦓 | 𗦔 | 𗦕 | 𗦖 | 𗦗 | 𗦘 | 𗦙 | 𗦚 | 𗦛 | 𗦜 | 𗦝 | 𗦞 | 𗦟 |
179A0 | 𗦠 | 𗦡 | 𗦢 | 𗦣 | 𗦤 | 𗦥 | 𗦦 | 𗦧 | 𗦨 | 𗦩 | 𗦪 | 𗦫 | 𗦬 | 𗦭 | 𗦮 | 𗦯 | 𗦰 | 𗦱 | 𗦲 | 𗦳 | 𗦴 | 𗦵 | 𗦶 | 𗦷 | 𗦸 | 𗦹 | 𗦺 | 𗦻 | 𗦼 | 𗦽 | 𗦾 | 𗦿 |
179C0 | 𗧀 | 𗧁 | 𗧂 | 𗧃 | 𗧄 | 𗧅 | 𗧆 | 𗧇 | 𗧈 | 𗧉 | 𗧊 | 𗧋 | 𗧌 | 𗧍 | 𗧎 | 𗧏 | 𗧐 | 𗧑 | 𗧒 | 𗧓 | 𗧔 | 𗧕 | 𗧖 | 𗧗 | 𗧘 | 𗧙 | 𗧚 | 𗧛 | 𗧜 | 𗧝 | 𗧞 | 𗧟 |
179E0 | 𗧠 | 𗧡 | 𗧢 | 𗧣 | 𗧤 | 𗧥 | 𗧦 | 𗧧 | 𗧨 | 𗧩 | 𗧪 | 𗧫 | 𗧬 | 𗧭 | 𗧮 | 𗧯 | 𗧰 | 𗧱 | 𗧲 | 𗧳 | 𗧴 | 𗧵 | 𗧶 | 𗧷 | 𗧸 | 𗧹 | 𗧺 | 𗧻 | 𗧼 | 𗧽 | 𗧾 | 𗧿 |
U+17800 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 190 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17A00 | 𗨀 | 𗨁 | 𗨂 | 𗨃 | 𗨄 | 𗨅 | 𗨆 | 𗨇 | 𗨈 | 𗨉 | 𗨊 | 𗨋 | 𗨌 | 𗨍 | 𗨎 | 𗨏 | 𗨐 | 𗨑 | 𗨒 | 𗨓 | 𗨔 | 𗨕 | 𗨖 | 𗨗 | 𗨘 | 𗨙 | 𗨚 | 𗨛 | 𗨜 | 𗨝 | 𗨞 | 𗨟 |
17A20 | 𗨠 | 𗨡 | 𗨢 | 𗨣 | 𗨤 | 𗨥 | 𗨦 | 𗨧 | 𗨨 | 𗨩 | 𗨪 | 𗨫 | 𗨬 | 𗨭 | 𗨮 | 𗨯 | 𗨰 | 𗨱 | 𗨲 | 𗨳 | 𗨴 | 𗨵 | 𗨶 | 𗨷 | 𗨸 | 𗨹 | 𗨺 | 𗨻 | 𗨼 | 𗨽 | 𗨾 | 𗨿 |
17A40 | 𗩀 | 𗩁 | 𗩂 | 𗩃 | 𗩄 | 𗩅 | 𗩆 | 𗩇 | 𗩈 | 𗩉 | 𗩊 | 𗩋 | 𗩌 | 𗩍 | 𗩎 | 𗩏 | 𗩐 | 𗩑 | 𗩒 | 𗩓 | 𗩔 | 𗩕 | 𗩖 | 𗩗 | 𗩘 | 𗩙 | 𗩚 | 𗩛 | 𗩜 | 𗩝 | 𗩞 | 𗩟 |
17A60 | 𗩠 | 𗩡 | 𗩢 | 𗩣 | 𗩤 | 𗩥 | 𗩦 | 𗩧 | 𗩨 | 𗩩 | 𗩪 | 𗩫 | 𗩬 | 𗩭 | 𗩮 | 𗩯 | 𗩰 | 𗩱 | 𗩲 | 𗩳 | 𗩴 | 𗩵 | 𗩶 | 𗩷 | 𗩸 | 𗩹 | 𗩺 | 𗩻 | 𗩼 | 𗩽 | 𗩾 | 𗩿 |
17A80 | 𗪀 | 𗪁 | 𗪂 | 𗪃 | 𗪄 | 𗪅 | 𗪆 | 𗪇 | 𗪈 | 𗪉 | 𗪊 | 𗪋 | 𗪌 | 𗪍 | 𗪎 | 𗪏 | 𗪐 | 𗪑 | 𗪒 | 𗪓 | 𗪔 | 𗪕 | 𗪖 | 𗪗 | 𗪘 | 𗪙 | 𗪚 | 𗪛 | 𗪜 | 𗪝 | 𗪞 | 𗪟 |
17AA0 | 𗪠 | 𗪡 | 𗪢 | 𗪣 | 𗪤 | 𗪥 | 𗪦 | 𗪧 | 𗪨 | 𗪩 | 𗪪 | 𗪫 | 𗪬 | 𗪭 | 𗪮 | 𗪯 | 𗪰 | 𗪱 | 𗪲 | 𗪳 | 𗪴 | 𗪵 | 𗪶 | 𗪷 | 𗪸 | 𗪹 | 𗪺 | 𗪻 | 𗪼 | 𗪽 | 𗪾 | 𗪿 |
17AC0 | 𗫀 | 𗫁 | 𗫂 | 𗫃 | 𗫄 | 𗫅 | 𗫆 | 𗫇 | 𗫈 | 𗫉 | 𗫊 | 𗫋 | 𗫌 | 𗫍 | 𗫎 | 𗫏 | 𗫐 | 𗫑 | 𗫒 | 𗫓 | 𗫔 | 𗫕 | 𗫖 | 𗫗 | 𗫘 | 𗫙 | 𗫚 | 𗫛 | 𗫜 | 𗫝 | 𗫞 | 𗫟 |
17AE0 | 𗫠 | 𗫡 | 𗫢 | 𗫣 | 𗫤 | 𗫥 | 𗫦 | 𗫧 | 𗫨 | 𗫩 | 𗫪 | 𗫫 | 𗫬 | 𗫭 | 𗫮 | 𗫯 | 𗫰 | 𗫱 | 𗫲 | 𗫳 | 𗫴 | 𗫵 | 𗫶 | 𗫷 | 𗫸 | 𗫹 | 𗫺 | 𗫻 | 𗫼 | 𗫽 | 𗫾 | 𗫿 |
190.2 | ||||||||||||||||||||||||||||||||
17B00 | 𗬀 | 𗬁 | 𗬂 | 𗬃 | 𗬄 | 𗬅 | 𗬆 | 𗬇 | 𗬈 | 𗬉 | 𗬊 | 𗬋 | 𗬌 | 𗬍 | 𗬎 | 𗬏 | 𗬐 | 𗬑 | 𗬒 | 𗬓 | 𗬔 | 𗬕 | 𗬖 | 𗬗 | 𗬘 | 𗬙 | 𗬚 | 𗬛 | 𗬜 | 𗬝 | 𗬞 | 𗬟 |
17B20 | 𗬠 | 𗬡 | 𗬢 | 𗬣 | 𗬤 | 𗬥 | 𗬦 | 𗬧 | 𗬨 | 𗬩 | 𗬪 | 𗬫 | 𗬬 | 𗬭 | 𗬮 | 𗬯 | 𗬰 | 𗬱 | 𗬲 | 𗬳 | 𗬴 | 𗬵 | 𗬶 | 𗬷 | 𗬸 | 𗬹 | 𗬺 | 𗬻 | 𗬼 | 𗬽 | 𗬾 | 𗬿 |
17B40 | 𗭀 | 𗭁 | 𗭂 | 𗭃 | 𗭄 | 𗭅 | 𗭆 | 𗭇 | 𗭈 | 𗭉 | 𗭊 | 𗭋 | 𗭌 | 𗭍 | 𗭎 | 𗭏 | 𗭐 | 𗭑 | 𗭒 | 𗭓 | 𗭔 | 𗭕 | 𗭖 | 𗭗 | 𗭘 | 𗭙 | 𗭚 | 𗭛 | 𗭜 | 𗭝 | 𗭞 | 𗭟 |
17B60 | 𗭠 | 𗭡 | 𗭢 | 𗭣 | 𗭤 | 𗭥 | 𗭦 | 𗭧 | 𗭨 | 𗭩 | 𗭪 | 𗭫 | 𗭬 | 𗭭 | 𗭮 | 𗭯 | 𗭰 | 𗭱 | 𗭲 | 𗭳 | 𗭴 | 𗭵 | 𗭶 | 𗭷 | 𗭸 | 𗭹 | 𗭺 | 𗭻 | 𗭼 | 𗭽 | 𗭾 | 𗭿 |
17B80 | 𗮀 | 𗮁 | 𗮂 | 𗮃 | 𗮄 | 𗮅 | 𗮆 | 𗮇 | 𗮈 | 𗮉 | 𗮊 | 𗮋 | 𗮌 | 𗮍 | 𗮎 | 𗮏 | 𗮐 | 𗮑 | 𗮒 | 𗮓 | 𗮔 | 𗮕 | 𗮖 | 𗮗 | 𗮘 | 𗮙 | 𗮚 | 𗮛 | 𗮜 | 𗮝 | 𗮞 | 𗮟 |
17BA0 | 𗮠 | 𗮡 | 𗮢 | 𗮣 | 𗮤 | 𗮥 | 𗮦 | 𗮧 | 𗮨 | 𗮩 | 𗮪 | 𗮫 | 𗮬 | 𗮭 | 𗮮 | 𗮯 | 𗮰 | 𗮱 | 𗮲 | 𗮳 | 𗮴 | 𗮵 | 𗮶 | 𗮷 | 𗮸 | 𗮹 | 𗮺 | 𗮻 | 𗮼 | 𗮽 | 𗮾 | 𗮿 |
17BC0 | 𗯀 | 𗯁 | 𗯂 | 𗯃 | 𗯄 | 𗯅 | 𗯆 | 𗯇 | 𗯈 | 𗯉 | 𗯊 | 𗯋 | 𗯌 | 𗯍 | 𗯎 | 𗯏 | 𗯐 | 𗯑 | 𗯒 | 𗯓 | 𗯔 | 𗯕 | 𗯖 | 𗯗 | 𗯘 | 𗯙 | 𗯚 | 𗯛 | 𗯜 | 𗯝 | 𗯞 | 𗯟 |
17BE0 | 𗯠 | 𗯡 | 𗯢 | 𗯣 | 𗯤 | 𗯥 | 𗯦 | 𗯧 | 𗯨 | 𗯩 | 𗯪 | 𗯫 | 𗯬 | 𗯭 | 𗯮 | 𗯯 | 𗯰 | 𗯱 | 𗯲 | 𗯳 | 𗯴 | 𗯵 | 𗯶 | 𗯷 | 𗯸 | 𗯹 | 𗯺 | 𗯻 | 𗯼 | 𗯽 | 𗯾 | 𗯿 |
U+17A00 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 191 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17C00 | 𗰀 | 𗰁 | 𗰂 | 𗰃 | 𗰄 | 𗰅 | 𗰆 | 𗰇 | 𗰈 | 𗰉 | 𗰊 | 𗰋 | 𗰌 | 𗰍 | 𗰎 | 𗰏 | 𗰐 | 𗰑 | 𗰒 | 𗰓 | 𗰔 | 𗰕 | 𗰖 | 𗰗 | 𗰘 | 𗰙 | 𗰚 | 𗰛 | 𗰜 | 𗰝 | 𗰞 | 𗰟 |
17C20 | 𗰠 | 𗰡 | 𗰢 | 𗰣 | 𗰤 | 𗰥 | 𗰦 | 𗰧 | 𗰨 | 𗰩 | 𗰪 | 𗰫 | 𗰬 | 𗰭 | 𗰮 | 𗰯 | 𗰰 | 𗰱 | 𗰲 | 𗰳 | 𗰴 | 𗰵 | 𗰶 | 𗰷 | 𗰸 | 𗰹 | 𗰺 | 𗰻 | 𗰼 | 𗰽 | 𗰾 | 𗰿 |
17C40 | 𗱀 | 𗱁 | 𗱂 | 𗱃 | 𗱄 | 𗱅 | 𗱆 | 𗱇 | 𗱈 | 𗱉 | 𗱊 | 𗱋 | 𗱌 | 𗱍 | 𗱎 | 𗱏 | 𗱐 | 𗱑 | 𗱒 | 𗱓 | 𗱔 | 𗱕 | 𗱖 | 𗱗 | 𗱘 | 𗱙 | 𗱚 | 𗱛 | 𗱜 | 𗱝 | 𗱞 | 𗱟 |
17C60 | 𗱠 | 𗱡 | 𗱢 | 𗱣 | 𗱤 | 𗱥 | 𗱦 | 𗱧 | 𗱨 | 𗱩 | 𗱪 | 𗱫 | 𗱬 | 𗱭 | 𗱮 | 𗱯 | 𗱰 | 𗱱 | 𗱲 | 𗱳 | 𗱴 | 𗱵 | 𗱶 | 𗱷 | 𗱸 | 𗱹 | 𗱺 | 𗱻 | 𗱼 | 𗱽 | 𗱾 | 𗱿 |
17C80 | 𗲀 | 𗲁 | 𗲂 | 𗲃 | 𗲄 | 𗲅 | 𗲆 | 𗲇 | 𗲈 | 𗲉 | 𗲊 | 𗲋 | 𗲌 | 𗲍 | 𗲎 | 𗲏 | 𗲐 | 𗲑 | 𗲒 | 𗲓 | 𗲔 | 𗲕 | 𗲖 | 𗲗 | 𗲘 | 𗲙 | 𗲚 | 𗲛 | 𗲜 | 𗲝 | 𗲞 | 𗲟 |
17CA0 | 𗲠 | 𗲡 | 𗲢 | 𗲣 | 𗲤 | 𗲥 | 𗲦 | 𗲧 | 𗲨 | 𗲩 | 𗲪 | 𗲫 | 𗲬 | 𗲭 | 𗲮 | 𗲯 | 𗲰 | 𗲱 | 𗲲 | 𗲳 | 𗲴 | 𗲵 | 𗲶 | 𗲷 | 𗲸 | 𗲹 | 𗲺 | 𗲻 | 𗲼 | 𗲽 | 𗲾 | 𗲿 |
17CC0 | 𗳀 | 𗳁 | 𗳂 | 𗳃 | 𗳄 | 𗳅 | 𗳆 | 𗳇 | 𗳈 | 𗳉 | 𗳊 | 𗳋 | 𗳌 | 𗳍 | 𗳎 | 𗳏 | 𗳐 | 𗳑 | 𗳒 | 𗳓 | 𗳔 | 𗳕 | 𗳖 | 𗳗 | 𗳘 | 𗳙 | 𗳚 | 𗳛 | 𗳜 | 𗳝 | 𗳞 | 𗳟 |
17CE0 | 𗳠 | 𗳡 | 𗳢 | 𗳣 | 𗳤 | 𗳥 | 𗳦 | 𗳧 | 𗳨 | 𗳩 | 𗳪 | 𗳫 | 𗳬 | 𗳭 | 𗳮 | 𗳯 | 𗳰 | 𗳱 | 𗳲 | 𗳳 | 𗳴 | 𗳵 | 𗳶 | 𗳷 | 𗳸 | 𗳹 | 𗳺 | 𗳻 | 𗳼 | 𗳽 | 𗳾 | 𗳿 |
191.2 | ||||||||||||||||||||||||||||||||
17D00 | 𗴀 | 𗴁 | 𗴂 | 𗴃 | 𗴄 | 𗴅 | 𗴆 | 𗴇 | 𗴈 | 𗴉 | 𗴊 | 𗴋 | 𗴌 | 𗴍 | 𗴎 | 𗴏 | 𗴐 | 𗴑 | 𗴒 | 𗴓 | 𗴔 | 𗴕 | 𗴖 | 𗴗 | 𗴘 | 𗴙 | 𗴚 | 𗴛 | 𗴜 | 𗴝 | 𗴞 | 𗴟 |
17D20 | 𗴠 | 𗴡 | 𗴢 | 𗴣 | 𗴤 | 𗴥 | 𗴦 | 𗴧 | 𗴨 | 𗴩 | 𗴪 | 𗴫 | 𗴬 | 𗴭 | 𗴮 | 𗴯 | 𗴰 | 𗴱 | 𗴲 | 𗴳 | 𗴴 | 𗴵 | 𗴶 | 𗴷 | 𗴸 | 𗴹 | 𗴺 | 𗴻 | 𗴼 | 𗴽 | 𗴾 | 𗴿 |
17D40 | 𗵀 | 𗵁 | 𗵂 | 𗵃 | 𗵄 | 𗵅 | 𗵆 | 𗵇 | 𗵈 | 𗵉 | 𗵊 | 𗵋 | 𗵌 | 𗵍 | 𗵎 | 𗵏 | 𗵐 | 𗵑 | 𗵒 | 𗵓 | 𗵔 | 𗵕 | 𗵖 | 𗵗 | 𗵘 | 𗵙 | 𗵚 | 𗵛 | 𗵜 | 𗵝 | 𗵞 | 𗵟 |
17D60 | 𗵠 | 𗵡 | 𗵢 | 𗵣 | 𗵤 | 𗵥 | 𗵦 | 𗵧 | 𗵨 | 𗵩 | 𗵪 | 𗵫 | 𗵬 | 𗵭 | 𗵮 | 𗵯 | 𗵰 | 𗵱 | 𗵲 | 𗵳 | 𗵴 | 𗵵 | 𗵶 | 𗵷 | 𗵸 | 𗵹 | 𗵺 | 𗵻 | 𗵼 | 𗵽 | 𗵾 | 𗵿 |
17D80 | 𗶀 | 𗶁 | 𗶂 | 𗶃 | 𗶄 | 𗶅 | 𗶆 | 𗶇 | 𗶈 | 𗶉 | 𗶊 | 𗶋 | 𗶌 | 𗶍 | 𗶎 | 𗶏 | 𗶐 | 𗶑 | 𗶒 | 𗶓 | 𗶔 | 𗶕 | 𗶖 | 𗶗 | 𗶘 | 𗶙 | 𗶚 | 𗶛 | 𗶜 | 𗶝 | 𗶞 | 𗶟 |
17DA0 | 𗶠 | 𗶡 | 𗶢 | 𗶣 | 𗶤 | 𗶥 | 𗶦 | 𗶧 | 𗶨 | 𗶩 | 𗶪 | 𗶫 | 𗶬 | 𗶭 | 𗶮 | 𗶯 | 𗶰 | 𗶱 | 𗶲 | 𗶳 | 𗶴 | 𗶵 | 𗶶 | 𗶷 | 𗶸 | 𗶹 | 𗶺 | 𗶻 | 𗶼 | 𗶽 | 𗶾 | 𗶿 |
17DC0 | 𗷀 | 𗷁 | 𗷂 | 𗷃 | 𗷄 | 𗷅 | 𗷆 | 𗷇 | 𗷈 | 𗷉 | 𗷊 | 𗷋 | 𗷌 | 𗷍 | 𗷎 | 𗷏 | 𗷐 | 𗷑 | 𗷒 | 𗷓 | 𗷔 | 𗷕 | 𗷖 | 𗷗 | 𗷘 | 𗷙 | 𗷚 | 𗷛 | 𗷜 | 𗷝 | 𗷞 | 𗷟 |
17DE0 | 𗷠 | 𗷡 | 𗷢 | 𗷣 | 𗷤 | 𗷥 | 𗷦 | 𗷧 | 𗷨 | 𗷩 | 𗷪 | 𗷫 | 𗷬 | 𗷭 | 𗷮 | 𗷯 | 𗷰 | 𗷱 | 𗷲 | 𗷳 | 𗷴 | 𗷵 | 𗷶 | 𗷷 | 𗷸 | 𗷹 | 𗷺 | 𗷻 | 𗷼 | 𗷽 | 𗷾 | 𗷿 |
U+17C00 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
Nr 192 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 1A | 1B | 1C | 1D | 1E | 1F |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
17E00 | 𗸀 | 𗸁 | 𗸂 | 𗸃 | 𗸄 | 𗸅 | 𗸆 | 𗸇 | 𗸈 | 𗸉 | 𗸊 | 𗸋 | 𗸌 | 𗸍 | 𗸎 | 𗸏 | 𗸐 | 𗸑 | 𗸒 | 𗸓 | 𗸔 | 𗸕 | 𗸖 | 𗸗 | 𗸘 | 𗸙 | 𗸚 | 𗸛 | 𗸜 | 𗸝 | 𗸞 | 𗸟 |
17E20 | 𗸠 | 𗸡 | 𗸢 | 𗸣 | 𗸤 | 𗸥 | 𗸦 | 𗸧 | 𗸨 | 𗸩 | 𗸪 | 𗸫 | 𗸬 | 𗸭 | 𗸮 | 𗸯 | 𗸰 | 𗸱 | 𗸲 | 𗸳 | 𗸴 | 𗸵 | 𗸶 | 𗸷 | 𗸸 | 𗸹 | 𗸺 | 𗸻 | 𗸼 | 𗸽 | 𗸾 | 𗸿 |
17E40 | 𗹀 | 𗹁 | 𗹂 | 𗹃 | 𗹄 | 𗹅 | 𗹆 | 𗹇 | 𗹈 | 𗹉 | 𗹊 | 𗹋 | 𗹌 | 𗹍 | 𗹎 | 𗹏 | 𗹐 | 𗹑 | 𗹒 | 𗹓 | 𗹔 | 𗹕 | 𗹖 | 𗹗 | 𗹘 | 𗹙 | 𗹚 | 𗹛 | 𗹜 | 𗹝 | 𗹞 | 𗹟 |
17E60 | 𗹠 | 𗹡 | 𗹢 | 𗹣 | 𗹤 | 𗹥 | 𗹦 | 𗹧 | 𗹨 | 𗹩 | 𗹪 | 𗹫 | 𗹬 | 𗹭 | 𗹮 | 𗹯 | 𗹰 | 𗹱 | 𗹲 | 𗹳 | 𗹴 | 𗹵 | 𗹶 | 𗹷 | 𗹸 | 𗹹 | 𗹺 | 𗹻 | 𗹼 | 𗹽 | 𗹾 | 𗹿 |
17E80 | 𗺀 | 𗺁 | 𗺂 | 𗺃 | 𗺄 | 𗺅 | 𗺆 | 𗺇 | 𗺈 | 𗺉 | 𗺊 | 𗺋 | 𗺌 | 𗺍 | 𗺎 | 𗺏 | 𗺐 | 𗺑 | 𗺒 | 𗺓 | 𗺔 | 𗺕 | 𗺖 | 𗺗 | 𗺘 | 𗺙 | 𗺚 | 𗺛 | 𗺜 | 𗺝 | 𗺞 | 𗺟 |
17EA0 | 𗺠 | 𗺡 | 𗺢 | 𗺣 | 𗺤 | 𗺥 | 𗺦 | 𗺧 | 𗺨 | 𗺩 | 𗺪 | 𗺫 | 𗺬 | 𗺭 | 𗺮 | 𗺯 | 𗺰 | 𗺱 | 𗺲 | 𗺳 | 𗺴 | 𗺵 | 𗺶 | 𗺷 | 𗺸 | 𗺹 | 𗺺 | 𗺻 | 𗺼 | 𗺽 | 𗺾 | 𗺿 |
17EC0 | 𗻀 | 𗻁 | 𗻂 | 𗻃 | 𗻄 | 𗻅 | 𗻆 | 𗻇 | 𗻈 | 𗻉 | 𗻊 | 𗻋 | 𗻌 | 𗻍 | 𗻎 | 𗻏 | 𗻐 | 𗻑 | 𗻒 | 𗻓 | 𗻔 | 𗻕 | 𗻖 | 𗻗 | 𗻘 | 𗻙 | 𗻚 | 𗻛 | 𗻜 | 𗻝 | 𗻞 | 𗻟 |
17EE0 | 𗻠 | 𗻡 | 𗻢 | 𗻣 | 𗻤 | 𗻥 | 𗻦 | 𗻧 | 𗻨 | 𗻩 | 𗻪 | 𗻫 | 𗻬 | 𗻭 | 𗻮 | 𗻯 | 𗻰 | 𗻱 | 𗻲 | 𗻳 | 𗻴 | 𗻵 | 𗻶 | 𗻷 | 𗻸 | 𗻹 | 𗻺 | 𗻻 | 𗻼 | 𗻽 | 𗻾 | 𗻿 |
192.2 | ||||||||||||||||||||||||||||||||
17F00 | 𗼀 | 𗼁 | 𗼂 | 𗼃 | 𗼄 | 𗼅 | 𗼆 | 𗼇 | 𗼈 | 𗼉 | 𗼊 | 𗼋 | 𗼌 | 𗼍 | 𗼎 | 𗼏 | 𗼐 | 𗼑 | 𗼒 | 𗼓 | 𗼔 | 𗼕 | 𗼖 | 𗼗 | 𗼘 | 𗼙 | 𗼚 | 𗼛 | 𗼜 | 𗼝 | 𗼞 | 𗼟 |
17F20 | 𗼠 | 𗼡 | 𗼢 | 𗼣 | 𗼤 | 𗼥 | 𗼦 | 𗼧 | 𗼨 | 𗼩 | 𗼪 | 𗼫 | 𗼬 | 𗼭 | 𗼮 | 𗼯 | 𗼰 | 𗼱 | 𗼲 | 𗼳 | 𗼴 | 𗼵 | 𗼶 | 𗼷 | 𗼸 | 𗼹 | 𗼺 | 𗼻 | 𗼼 | 𗼽 | 𗼾 | 𗼿 |
17F40 | 𗽀 | 𗽁 | 𗽂 | 𗽃 | 𗽄 | 𗽅 | 𗽆 | 𗽇 | 𗽈 | 𗽉 | 𗽊 | 𗽋 | 𗽌 | 𗽍 | 𗽎 | 𗽏 | 𗽐 | 𗽑 | 𗽒 | 𗽓 | 𗽔 | 𗽕 | 𗽖 | 𗽗 | 𗽘 | 𗽙 | 𗽚 | 𗽛 | 𗽜 | 𗽝 | 𗽞 | 𗽟 |
17F60 | 𗽠 | 𗽡 | 𗽢 | 𗽣 | 𗽤 | 𗽥 | 𗽦 | 𗽧 | 𗽨 | 𗽩 | 𗽪 | 𗽫 | 𗽬 | 𗽭 | 𗽮 | 𗽯 | 𗽰 | 𗽱 | 𗽲 | 𗽳 | 𗽴 | 𗽵 | 𗽶 | 𗽷 | 𗽸 | 𗽹 | 𗽺 | 𗽻 | 𗽼 | 𗽽 | 𗽾 | 𗽿 |
17F80 | 𗾀 | 𗾁 | 𗾂 | 𗾃 | 𗾄 | 𗾅 | 𗾆 | 𗾇 | 𗾈 | 𗾉 | 𗾊 | 𗾋 | 𗾌 | 𗾍 | 𗾎 | 𗾏 | 𗾐 | 𗾑 | 𗾒 | 𗾓 | 𗾔 | 𗾕 | 𗾖 | 𗾗 | 𗾘 | 𗾙 | 𗾚 | 𗾛 | 𗾜 | 𗾝 | 𗾞 | 𗾟 |
17FA0 | 𗾠 | 𗾡 | 𗾢 | 𗾣 | 𗾤 | 𗾥 | 𗾦 | 𗾧 | 𗾨 | 𗾩 | 𗾪 | 𗾫 | 𗾬 | 𗾭 | 𗾮 | 𗾯 | 𗾰 | 𗾱 | 𗾲 | 𗾳 | 𗾴 | 𗾵 | 𗾶 | 𗾷 | 𗾸 | 𗾹 | 𗾺 | 𗾻 | 𗾼 | 𗾽 | 𗾾 | 𗾿 |
17FC0 | 𗿀 | 𗿁 | 𗿂 | 𗿃 | 𗿄 | 𗿅 | 𗿆 | 𗿇 | 𗿈 | 𗿉 | 𗿊 | 𗿋 | 𗿌 | 𗿍 | 𗿎 | 𗿏 | 𗿐 | 𗿑 | 𗿒 | 𗿓 | 𗿔 | 𗿕 | 𗿖 | 𗿗 | 𗿘 | 𗿙 | 𗿚 | 𗿛 | 𗿜 | 𗿝 | 𗿞 | 𗿟 |
17FE0 | 𗿠 | 𗿡 | 𗿢 | 𗿣 | 𗿤 | 𗿥 | 𗿦 | 𗿧 | 𗿨 | 𗿩 | 𗿪 | 𗿫 | 𗿬 | 𗿭 | 𗿮 | 𗿯 | 𗿰 | 𗿱 | 𗿲 | 𗿳 | 𗿴 | 𗿵 | 𗿶 | 𗿷 | 𗿸 | 𗿹 | 𗿺 | 𗿻 | 𗿼 | 𗿽 | 𗿾 | 𗿿 |
U+17E00 Tangut (, 6144 codes from 17000–187FF. Language in ): Tangut hieroglyphs were used for writing the Tangut language. I see you´re already asking where it was. It was in the north-west of China, where the Tangut people lived. Scholars haven´t come to one particular theory regarding the script origin. However, there´s a version that the Tangut alphabet was developed on purpose and that it never evolved from other writings. The earliest inscriptions date back to the 11th century, while the latest appeared in late years of the 16th. The language itself is considered dead too. Tangut hieroglyphs are similar to Chinese, but are not directly related to them. They are more complicated — most of them include from 8 to 15 features or outlines. The original texts would be written vertically from top to bottom. The lines went from right to left. The Tanguts used approximately 6,000 hieroglyphs. Like the Chinese, they had contributed to the tradition of calligraphy. The signs could have up to 4 font variants. They are encoded as one single character in Unicode, unless there are various forms found in the same source. Besides, the signs that have the same shape but different names or sounds also tend to be united. The main source database was Li Fanwen´s work published in 2008.
1: Text | 2: Symbol | 3: Asien | 4: Asien | 5: Asien | 6: Yi, Vai | 7: Hangul | 8: Privat | 9: Ägäisch | 10: Keil | 11: Anatol | 12: Bamum | 13: Tangut | 14: Kana | 15: Symbol | 16: Picto | 17: CJK | 18: CJK | 19: CJK | 20: CJK | 21: CJK | 22: CJK | 23: CJK | 24: CJK | 25 | 26 | 113: Tags | Details.